I’m currently in a headspace where I can squeeze out just enough words to keep momentum going on my current project, but don’t have much more, so I’m forgetting about regular blog updates for a while. One thing I’m doing, to keep my head in the story when I can’t squeeze out actual story because it’s become a thick glue-like paste and clogged up my brain tubes, is putting my characters in hypothetical situations. It’s a great exercise because you should know your characters well enough to know what they’d do in any situation, no matter how unlikely. I’m writing them synopsis style (third person present tense) so I don’t waste too much writing energy on them. I figured I’d post them here, because why not. The first is my take on the prompt: how would your main character go grocery shopping? Since my main doesn’t eat human food, I had to improvise.by
Why Some Fantasy Franchises Fail
There’s a pattern I’ve noticed in failed movies trying to make the next Harry Potter out of a book series that had reasonable sales. They’re usually big budget, with tons of gorgeous CGI and special effects, and hit the box office like a cold lump of lead. There are a lot factors, I’m sure, in what makes a movie box-office poison, but the biggest one in fantasy movies, particularly those aimed at kids, is this: a missing sense of fun.
Now, I say fun because “sense of wonder” is what all those films are going for. The problem is a “sense of wonder” isn’t enough if the movie’s a dreary slog. Perhaps it was back in the 80s, when The Neverending Story captured a whole generation’s imagination despite being incredibly depressing. What I’m saying is vicariously getting to ride Falcor the Luck Dragon made up for watching a horse drown in the mud.
The Neverending Story eventually got a sequel, but much like part 2 of the book, it was a hundred times more unpleasant and deservedly tanked. All I’ll say about the second half of the book is it lives up to its title because no one’s ever finished it. Most films following the The Neverending Story format never get a sequel these days. After all, who wants to waste their time watching a humorless hero go through a thankless quest just to see a unicorn when there’s more enjoyable fantasy fare out there?by
Sense is More Important Than Accuracy
Accuracy is overrated when it comes to portraying something in a way that makes sense to most people. Outside a research paper or an architectural drawing, you’re more often looking for verisimilitude. Verisimilitude captures the essence, or appearance, of a thing. Today that means distilling it down to pertinent details rather than describing every boat in the harbor and their moorings (during the frickin climax, Dickens, wth). I’ve run across the distillation principle again and again in different contexts, so I have plenty of examples:by
Fanfic is Not a Threat
How do you feel about fanfic? Does the thought of basement dwellers shitting all over your favorite franchise make you shudder? Does the idea of someone stomping all over your vision make you hulk out? Well, maybe it’s time to calm down over this douche-tide in a pony vagina (I’m going for a non-cliche way of saying “tempest in a teapot” – I don’t think I was entirely successful). Fanfic has been a thing for ages, and it hasn’t destroyed literature yet.
To gain some perspective, I’m going to turn to modding for a moment. I recently posed the question: how do you feel about other people modding your mods? The group I talked to were pretty cool about it, even found it flattering, but I’ve encountered modders who get bent out of shape about people messing with their “artistic vision” – which is bullshit, and here’s why.by
Advice That Makes You Go Duh: Summing Up a Story
If you can’t sum up your story in one sentence, you don’t have a story so much as a bunch of shit that happened. It could be a long sentence, but you only get so many “ands” before people stop listening. If you can’t make someone interested in your idea within that framework, it’s time to take a step back and figure your shit out. It’s a lesson I learn fresh every time I start new story.
Often people start with a situation, but not knowing their character’s drives, they fail to turn that situation into something that moves the reader to give a damn. I’ve found summing up your story in as few words as possible is a great way to reveal this fundamental flaw.by